Eugenio Alberti Schatz and Sandro Fabbri

NON LO SAPEVO

Eugenio Alberti Schatz and Sandro Fabbri

NON LO SAPEVO

Digression on the four-handed book Non lo sapevo – 411 stories for those who know they don’t know, published by QR Edizioni

november – december 2025

OPENING WITH PERFORMANCE
on the occasion of Book City Milano

When a book becomes an exhibition
Thursday, 13 November 2025, from 6:00 p.m.


OPENING HOURS

14 November – 20 December 2025
Thursday to Saturday,
from 3:00 p.m. to 7:00 p.m.

Human beings are 80% curiosity!

A book that doesn’t just tell a story, but becomes an exhibition.

This is how Non lo sapevo (I didn’t know) came about. A project by Eugenio Alberti Schatz and Sandro Fabbri that transforms a book into an experience, an exhibition, a performance and a game of curiosity.

It all begins with a volume published by QR Edizioni: Non lo sapevo – 411 storie per chi sa di non sapere (I didn’t know – 411 stories for those who know they don’t know). 411 short texts, each exactly 411 characters long (including spaces!), recounting small discoveries and anecdotes that encourage readers to learn more and share their discoveries with friends and acquaintances.

On display, Sandro Fabbri’s original drawings interact with the words and works of Eugenio Alberti Schatz, creating a narrative journey that blends irony and wonder. Also on view is a selection of Sandro Fabbri’s recent works on paper (70×100 cm, mixed media), alongside an extensive collection of sketchbooks and notebooks filled with drawings and notes.

During the opening — Quando un libro si mette in mostra (When a book becomes an exhibitions), part of Bookcity Milano — Sandro Fabbri draws the covers of 99 limited edition books live. Not far from him, an actress reads extracts for the most curious listeners.

Non lo sapevo is a playful and light-hearted exploration with a rhythmic cadence, a technical exercise that would have pleased the virtuoso poets of the Baroque era. An Ode to curiosity as the source of knowledge, expanding in every direction —  just like a book becomes and exhibition.

BIOGRAPHY

Eugenio Alberti Schatz was born in Milan to two cultures, Italian and Russian. He has travelled extensively and worked in various fields within communications and public relations. After studying classical literature, he explored multiple forms of literary expression, from writing essays to poetry, from art and photography criticism to travel literature and aphorisms.
He has published for Rizzoli, Skira, Corraini, Blonk, Einaudi and Antiga, among others. He has curated exhibitions by Pino Guidolotti and Luca Quartana at Assab One. He has written about the work of artists Alvaro, Antonio Barrese, Claude Caponnetto, Enzo Castagno, Caturegli Formica, Daniele Cima, Roberto Clemente, Guido De Zan, Paul Goodwin, Dominique Laugé, Simon Lewandowski, Zeno Peduzzi, Mario Pischedda, Alessandro Pongan, Sean Shanahan, Evelina Schatz, Ariel Soulé, Simon Toparovsky, Marco Vaglieri and Eugenio Zanon. He has made documentary films about Eugenio Carmi and scientists Giacomo Rizzolati and Giorgio Parisi. In 2022, together with Anna Golubovskaja, he launched the photography and storytelling project Qui Odessa on doppiozero.com, which became an exhibition at the Fondazione Stelline in Milan in the same year. He has participated in group exhibitions in private galleries and public spaces, including Galleria dei Bibliofili and Galleria Quintocortile in Milan, Libreria Pecorini and Libri senza data in Milan, Vannucci Arte Contemporanea in Pistoia and Palazzo Bentivoglio in Gualtieri.

 

Sandro Fabbri, painter and illustrator, was born in the hills between Florence and Arezzo and grew up in Florence, where he graduated from the Academy of Fine Arts. Now living in Milan, he has worked extensively as an illustrator for publishing, fashion and advertising, collaborating with newspapers and magazines belonging to major publishing groups: Rcs, Gedi, Mondadori, Hachette-Rusconi, Il Sole24Ore and Condé Nast. He has also collaborated with international graphic design studios, including Patricia Urquiola, Lissoni, Centro, Beda Achermann and Granitdesign.
His art book for the fashion brand Ordinary People (with Studio Centro) won the Gold Award from the Italian Art Director’s Club and the Cresta International Advertising Award. At the same time, Fabbri has developed a personal research path in the world of drawing with nibs and brushes, inks, acrylics and pigments, sometimes even tea and coffee. He has explored both large formats, populating his imagination with abstract themes or poetic and symbolic figures, and small formats, creating illustrated notebooks and ironic sketches.
Roots, solitude, love, thought, wonder and fragility are his recurring themes, with fluid brushstrokes and cascades of colour spreading across the paper, evoking landscapes that are more interior than real. A selection of these works is collected in the art book A Secret Adagio (Granitdesign), from which Patricia Urquiola chose the large reproductions for the Hotel Room Mate Collection Giulia di Milan. He participated in solo and group exhibitions in Italy and abroad.

 

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