Photographs by Emanuele Satolli
curated by Giulia Tornari and Angelo Castucci
texts by Giulia Tornari, James Marson and Emanuele Satolli, display studioamatoriale, a project by Zona and Gramma Studio
Photographs by Emanuele Satolli
curated by Giulia Tornari and Angelo Castucci
texts by Giulia Tornari, James Marson and Emanuele Satolli, display studioamatoriale, a project by Zona and Gramma Studio
october – november 2025
OPENING
Thursday 9 october 2025 from 6:30 p.m.
OPENING HOURS
From 10 October to 8 November 2025
Thursdays to Saturdays from 3pm to 7pm
APPOINTMENTS
Friday, 31 October at 6.30 p.m.
Dealing with evil. A shared reflection between photography, journalism and philosophy on how we portray war and violence.
A decade of contemporary conflicts in the photographs of Emanuele Satolli.
Assab One hosts the exhibition That thing that never vanished, dedicated to the photographic work of Emanuele Satolli and accompanied by the book of the same name published by Gost Books.
The exhibition, created by Zona and Gramma Studio thanks to the contribution of Fondazione Cariplo and the support of Fondazione Carifac, in collaboration with Laboratorio Lapsus, Assab One and studioamatoriale, presents over ten years of photographic reportage from the main contemporary conflict and humanitarian crisis scenarios.
From Ukraine, followed since the first day of the Russian invasion, to Mosul and Raqqa during the battles against ISIS; from Gaza to Afghanistan, Satolli’s work focuses on individual experiences and the human condition exposed to the tragedy of war.
Alongside the exhibition and book, the project includes educational activities and workshops with schools, designed to engage students in critical reflection on
conflict and the role of photography.
“In an era dominated by the proliferation of digital images — including propaganda, misinformation and synthetic productions generated by artificial intelligence — Satolli’s work reaffirms the value of photography as a direct witness and guardian of memory,” writes Giulia Tornari, founder of Zona and Gramma Studio, curator of the exhibition. “His images document stories of people and places marked by war and are striking for their proximity to the subjects photographed, conveying the intimacy of experiences lived in extreme contexts, through a gaze that combines documentary rigour and ethical responsibility.”
In the words of James Marson, Ukraine Bureau Chief of The Wall Street Journal, in the text of That thing that never vanished: “War stirs the blood. Teeth clenched. Jaw tightened. Heart pounding. Is death around the corner? Is it your death, or someone else’s? The banality of everyday life vanishes. It is here, on the border between life and death, that one truly lives. Everything matters, because there is no higher stakes. How did we get here? Thousands of years have passed, but the aims of war remain unchanged: to defend a homeland, a people, a resource or – to conquer someone else’s. Even what drives someone to war remains the same: money, pride, loyalty, ambition.
Emanuele Satolli is a photojournalist who, over the last ten years, has dedicated himself to photographically documenting conflicts and humanitarian crises. He began reporting on the war in Ukraine from the first day of the Russian invasion and continues to return to the country today, with the aim of investigating the consequences of the conflict on the civilian population. He was in Mosul when the Iraqi army launched a long and bloody operation to liberate the city from ISIS control. He photographed the fall of the Islamic State in Raqqa, considered the Syrian stronghold of the terrorist group.
In Gaza, he covered the violent protests that erupted following the transfer of the American embassy from Tel Aviv to Jerusalem.
He witnessed the conflict in Libya and the conditions of migrants in detention centres. He travelled to Afghanistan several times, both with American troops
and alone, to areas controlled by the Taliban before the country returned to their full control.
His reports have been published in leading Italian and international magazines and newspapers, with ongoing collaborations in particular with TIME Magazine and The Wall Street Journal. In the course of his work, he has collaborated with international journalists and editors and has met people who, through no fault of their own, have found themselves experiencing war, recounting their individual destinies.
A PROJECT BY
ZONA, Gramma Studio
IN COLLABORATION WITH
Lapsus, Assab One, studioamatoriale
WITH THE SUPPORT OF
Fondazione Cariplo
SUPPORTED BY
Fondazione Carifac
TECHNICAL PARTNER
Fabriano
BOOK
GOST Books