Andrea Mastrovito



Andrea Mastrovito






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Packaging of 3 cards

Limited edition numbered and signed by the artist

On the occasion of his solo exhibition BABEL within the 2019 edition of 1+1+1, Andrea Mastrovito has created the BABEL edition, 3 puzzle tiles similar to the thousands that make up the camouflage fabric of over thousands of puzzle tiles made from green book covers, collected thanks to the participation of friends and the inhabitants of the neighbourhood.


Born in Bergamo in 1978, Mastrovito has lived in New York for years. In 2007 he won the New York Prize, awarded by the Italian Ministry of Foreign Affairs, in 2012 the Moroso Prize and in 2016 the Ermanno Casoli Prize. His work has been exhibited in major national and international museums, from MAXXI in Rome to the Museo Novecento in Florence, from MART in Rovereto to the Museo Pecci in Prato, from BPS 22 in Charleroi to the Manchester Art Gallery, from MUDAC in Lausanne to the Laznia Center in Gdansk, from the Kunsthalle Osnabruck to the Belvedere 21 in Vienna, from the Museo del Novecento in Milan to the Gamec in Bergamo, to the Queens Museum, to the Magazzino Italian Art and to the Museum of Arts and Design in New York.

Selected solo exhibitions

La Diseducazione al Reale, curated by Alberto Fiz, Galleria Michela Rizzo, Venezia
Strange Days, curated by Agnieszka Kulazinska, Laznia Center, Gdansk
Sous Rature, Wilde Gallery, Basel
La Legende Blanche, Abbaye de Fontevraud, Fontevraud

Io Non Sono Leggenda, curated by Davide dall’Ombra, Museo del Novecento e del Contemporaneo di Palazzo Fabroni, Pistoia

I Am Not Legend, screenings: Magazzino Italian Art, Cold Spring NY; MUDAM, Luxembourg; Belvedere 21, Wien

Very Bad Things, curated by Ilaria Bernardi, Galleria Nazionale d’Arte Moderna, Roma

Le Monde est Une Invention sans Futur, curated by Fanny Robin, Fondation Bullukian, Lione

Babel, curated by Elena Quarestani and Marco Sammicheli, Assab One, Milan (permanent installation)
Polvere di Stelle, curated by Contemporary Locus, permanent installation at Cappello d’Oro, Bergamo.

Symphonie eines Jahrhunderts, curated by Julia Draganovic, Kunsthalle Dominikanerkirche, Osnabruck

Le Jardin des Histoires du Monde, Galerie Art Bartschi & Cie, Geneva
NYsferatu – Symphony of a Century, curated by Alessandra Klimciuk, Fondazione Stelline, Milano.
NYsferatu – Symphony of a Century – Belvedere 21, Wien; GAMeC, Bergamo; Museo Novecento, Florence; Museo Salinas, Palermo; Fondazione Fabbrica del Cioccolato, Lugano; Innis Town Hall Theatre, Toronto; Norval Foundation, Cape Town; St. Ann’s Church – Bram Stoker Festival, Dublin

NYsferatu – Symphony of a Century –  produced by More Art; Queens Museum, Magazzino Italian Art, Central Park, Brooklyn Bridge Park, Sunset Park, Hudson River Park, Italian Cultural Center, Cantor Film Center, New York, MAXXI, Auditorium Parco della Musica, Rome

Sette Opere di Misericordia, curated by Giuliano Zanchi, Museo Bernareggi, Bergamo

Vitriol, permanent installation for XVI Ermanno Casoli Prize at Angelini Srl, Ancona

Les Etrangers, Galerie Art Bartschi & Cie, Geneva
Here the Dreamers Sleep, curated by Marco Bazzini and Eugenio Viola, Andersen Museum, Rome

N’importe où hors du monde (Three solo shows): Les amis du peuple, Centre pour l’art contemporain, Montelimar; Ration K, Chateau de Suze; The Unnamed Feeling, Chateau de Grignan, France
The Disparates, RLWindows at Ryan Lee Gallery, New York

At The End Of The Line, curated by Stefano Raimondi and Sara Fumagalli, GAMeC, Bergamo
Kickstarting – Permanent Installation, Saint Joseph in Bushwick, Brooklyn NY
Neverending End: 100 last pages – Permanent Installation, Bergamo
Kickstarting #2 – Italian Cultural Institute, New York
Giovanni 19,30 – Permanent Installation, Johannes XXIII Church, Bergamo

Ritratto dell’artista da giovane, Moroso Prize, New York
The Modern Prometheus, Galerie Guy Bartschi, Geneve
The Last Man, Analix Forever, Geneve
Fernando Bryce and Andrea Mastrovito, curated by Arnaud Fourrier, Pavillon Blanc, Colomiers (France)

Le Cinque Giornate, curated by Alessandra Galasso, Museo del Novecento, Milan
Easy Come Easy Go, curated by Julia Draganovic, Casa Testori, Novate Milanese (MI)

Martyres, 1000eventi Gallery, Milan

A Sud del Cielo, Chiostro di San Lupo, Bergamo

I am dreaming of…, Sephora 5th Avenue, New York

Velocità d’automobile + fiori, Italian Cultural Institute, New York
The Catcher in the Rye, BC Fine Arts Gallery, Fort Lauderdale (FL)

Love is a four-letter word, Foley Gallery, New York
Climat Poetique, Hotel de Ville, Geneva
Pindemonte, Analix Forever, Geneva
La Bonne Nouvelle, Centre d’art Contemporain, Lacoux (Fr)
Enciclopedia dei fiori da giardino, Assab One – Ex GEA, Milano

Black Bag – American Philosophy of Composition, Foley Gallery, New York
Project room – Pulse Fair, New York
Libraries are not made, they grow, Italian Academy at Columbia University, New York
9000 papillons, Dior Central, Paris

L’origine delle specie, Galleria Biagiotti Progetto Arte, Firenze
Nickelodeon, 1000eventi Gallery and Antonio Colombo Arte Contemporanea Milano
Le jour qui n’arrive jamais, Jerome Ladiray Gallery, Rouen

Millionnaire, Analix Forever, Geneva

Solo Show, for Art Brussel, Palais des Exposition, Brussels

In & Out of Life, Galleria 1000eventi  and Antonio Colombo Arte Contemporanea, Milano
Post Modern, curated by A. Bruciati, GC.AC, Monfalcone (GO)

Stefano Arienti & Andrea Mastrovito, Analix Forever, Geneva
Wild Beast Caged, Galleria Biagiotti Progetto Arte, Firenze

Fear of the Dark, The Flat, Milano


  • Andrea Mastrovito, BABEL, 2019
    Andrea Mastrovito, BABEL, 2019, Photo: Mafalda Galessi

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